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Shaolin Kungfu, Chi Kung, Taijiquan (Tai Chi
Chuan) and Zen
COMBAT SEQUENCES OF TIGER-CRANE SET
Editorial Note: About 30 years ago, the most authoritative Chinese kungfu magazine then, Xin Wu Xia (New Martial Hero), published a series of articles on Sifu Wong’s commentary on the Tiger-Crane Set. The series consists of four articles, namely:
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Similarities and Differences of Tiger-Crane Sets.
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Combat Sequences of Tiger-Crane Set
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Miscellaneous Techniques of Tiger-Crane Set
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Training Methods of Tiger Claw
This article on “The Combat Sequences of Tiger-Crane Set” is the second of the series. The sentence structure in this English translation follows that in the original Chinese version.
A recent photograph showing Sifu Wong and his senior disciple, Goh Kok Hin, demonstrating a combat application of the Tiger-Crane Set. Goh Kok Hin attacks Sifu Wong with a Crane Beak and Sifu Wong responds with a Tiger Claw.
After learning the Tiger-Crane Set, one must develop its force and practice its application. Many students merely learn the set but do not have its force or know its application. This is a mistake. If one only can perform the set but has no force or application, then the set becomes “flowery fists and embroidery kicks”, only suitable for demonstration but not suitable for combat. Hence one must practice its force and application after learning the solo set.
A close-up of how Sifu Wong applies a Tiger Claw on Goh Kok Hin’s elbow. The Tiger Claw pattern here is called “Black Tiger Presents Claw”. Notice that Sifu Wong .uses the strong point of his Tiger Claw to attack the weak point of the Crane pattern, i.e. the elbow or “neck” of the crane.
Each of the 36 patterns in the Tiger-Crane Set has its special combat applications. A teacher must explain the combat applications of each pattern and itheir principles to his students. One good method to learn combat application of the set is to practice its “tui lien” (“dui lian” in Mandarin) or combination set. There are six combat sequences in the Tiger-Crane Combination Set. Here I explain the first two sequences, illustrated by Yow Ba, one of my earliest students, and me. (The photographs used for illustrations below were taken about 30 years ago.)
The combatants observe each other in their poise patterns
In the illustration above, You Ba and I observe each other. You Ba uses “Single Tiger Emerges from Cave” and I use “Two Tigers Guard Mountains”.
Black Tiger Steals Heart and Tiger Leans Against Wooden Door
Yow Ba moves in with an “arrow-step” and attacks with “Black Tiger Steals Heart”. (This is the right-leg mode of "Black Tiger Steals Heart" abd is called "Fierce Tiger Speeds Across Valley".) I respond with “Yiger Leans Against Wooden Door”.
Golden Cockerel and Taming Tiger
As I attempt to grip Yow Ba’s attacking hand, he turns his body and kicks at my chest, using the pattern "Golden Cockerel Stands Solitarily". I avoid the kick by using the pattern "Tame a Tiger with a String of Beads".
Tiger-Tail Kick and Hand Sweep
Yow Ba immediately turns around and executes a Tiger-Tail Kick with the pattern “Lazy Tiger Stretches its Back” to my abdomen. I retreat a step and strike at the kicking leg with the pattern “False Leg Hand Sweep”.
Night Tiger Emerges from Forest
As Yow Ba pulls back his leg, I shoot forward with “Night Tiger Emerges from Forest” to attack his mingmen vital points (at the kidneys).
(Note: When I learned from Uncle Righteousness, this pattern was called “Night Tiger Emerges from Forest’ although the hand forms are two Leopard Fists. Later when I learned from Sifu Ho Fatt Nam, this patyern was “Double Leopards Speed Through Forest”. “Night Tiger Emerges from Forest” referred to another pattern. Now I use the name “Double Leopards Speed Through Forest” for this pattern, and “Night Tiger Emerges from Forest” for another pattern.
Beggar Asks for Food
Yow Ba turns around and uses a pattern called “Beggar Asks for Food” to ward off my attack.
Single Legged Hungry Crane
Immediately Yow Ba strikes my solar plexus with a Phoenix-Eye Fist, using a pattern called “Phoenix-Eye Steals Heart”.
I cover Yow Ba’s hands with my left hand, use a feint attack at his eye with a Crane Beak, but kick inauspiciously at his groin with a Organ-Seeking Kick, using the pattern “Single Legged Hungry Crane”.
Two Dragons Rush for Pearls
Yow Ba uses “Two Dragons Rush for Pearls” to attack my eyes. I slant back and ward of his attack with a “leaning” hand.
”Release Hand”
Yow Ba grips my wrist with a Tiger Claw. Immediately I use “Release Hand” to neutralize his qin-na (gripping technique).
”Clutch Kick”
Then I use a “shadow hand” to distract Yow Ba, and kick his front knee with a “Clutch Kick”.
Old Tree with Roots
Yow Ba moves his body backward to avoid my Clutch Kick. At the same time I lower my stance and apply “Old Tree with Roots” to grip his leg to fell him.
Crocodile Turns Body
Yow Ba apply the pattern “Crocodile Turns Body” and sweeps at me with a Crocodile-Tail Kick.
Butterfly Palms
I neither dodge nor block. Before the Crocodile-Tail can reach me, I shoot forward with Butterfly Palms sending the opponent falling forward. This is the tactic of “Straight against Circular”. Before a circular attack has arrived, use a fast, straight counter-attack.
A recent photograph of Sifu Wong using the pattern “Fierce Tiger Descends Mountain” on Goh Kok Hin
If you have any suggestions or questions, please e-mail Sifu Wong Kiew Kit at
shaolin@pd.jaring.my stating your name and country.
You can view a selection of Sifu Wong's answers to readers' questions at
QUESTIONS-ANSWERS
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times 1st January 2004